Posts Tagged ‘Writing’

“Blood Quantum” Part 2


2010
03.07

Part 2 of my Western short story “Blood Quantum.”  Check out Part 1 here.

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The next morning Everett walked down a hillside from the mountains leading his horse by the reins.  He had run a zigzag path the night before until he exhausted his equine and then took a position against a sheered cliff-face that looked out into a small valley surrounded by a grove of tlacocote that tangled thick.  The small valley had only one entrance that he had guarded like some stern despot and he had only slept for thirty minutes, shivering under his thinned coat and caught beneath stray and howling gusts that wound in looping patterns.

He pressed on further from the hillside, stopping at a small creek that snaked down through the parched ground that was more mud than water and he let his horse drink while he inspected the map again.  His detour had ousted him too far north and on the west side of the Organs and now he’d have to cross back through.  Everett clicked his teeth for amusement as he computed his new trajectory south and east and he looked for any mention of a trail or road through the mountains.  He found none but felt optimistic that he was about a day’s ride from Mesilla and he folded the map again along the worn creases and placed it back in his shirt pocket.  He took out the miner’s stolen pistol and broke open the cylinder again and blew into the empty chambers and tucked it back into his belt.  He ran his fingers over his own large holster and stalled on the basket-weave pattern and then onto the walnut stock of the gun as if he was anticipating the arrival of a duel.

He yawned wildly and scratched the back of his head where it met the neck and bent down to the stream.  He lifted a handful of the gray water to his head and spooned it over and slicked his hair back.  Then he took another cupping of water and slurped it greedily and then sat along the bank and watched his horse which had taken to grazing on a sweep of hoary feather-grass.  He unwound the bandage from his leg and dipped it in the creek and rung it out.  Watery red sifted from the dressing and he scraped it along his forehead which revealed a deep and festering gash that had begun to scab over.  He reapplied the covering to his leg and it was cold against his torn skin and he sucked in air through his teeth as if it deterred the stinging sensation.

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An ode to cowboys and serials: “Blood Quantum” Part 1


2010
03.02

Not sure why, but I’ve always been been a big fan of Westerns (both films and literature – I’m quite fond of Elmore Leonard’s work in the genre, as well as the undisputed master himself, Louis L’Amour). I don’t exactly know what hit me a few years back, but for about a year and a half, all I could do was write Westerns. My love is still there, although I tend to write in different directions these days, but something about the alluring American West will always sit deep within me.

Thus, I’ve decided to serialize one of my favorite Western short stories, “Blood Quantum” (circa 2007). The story follows Everett Root as he makes his way through the barren countryside with a bleeding wound in his leg and a piece of silver ore the size of his head, all while out-maneuvering a mysterious assailant who seems to be on his heels the whole time. It’s simple in it’s premise (survive and cash in), and I went for a very Cormac McCarthy-esque route here, as far as the sparseness of the dialog and the setting itself goes.

At any rate, I quite enjoy this story, and, again, being a fan of old-timey serials, thought it might be fun to offer this story as one. I’m not sure how often I’ll post a new segment, perhaps every other day, perhaps once a week, but make sure you stick around til this one ends. I promise it’s good fun. (Ap0logies for any formatting issues – Wordpress doesn’t play nice sometimes.)

Blood Quantum

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Bob Antrim felt a cold steeled barrel matt his thick hair down and wedge into the back of his skull.  He heard the hammer click back metallically and in that moment recalled his wife dying of consumption, spittles of blood curtained along the contours of her sunken face and chest, and then he mulled on his boy who had died in infancy.  His hands gripped the splintered haft of the pick and for a minute further he dreamt of spinning in place and lodging the wedged spade into his attacker but amid the hallucinated escapades a shot thundered out like drums.  The bullet churned down the barrel of the spunked and dusty revolver and it crushed through Bob’s skull and out his right eye socket as fluids sprayed like some geyser and his body fell to the ground sharp like stone.

Everett Root rolled the dented .44 caliber Dance revolver around his index finger and holstered it as if he were some dashing and wily roughrider that had been wrangled into a Wild West Show.  He coughed a bit and waved the smoke away from his face with his hands and then set his eyes on the heaped body, smiling crookedly and scratching his chin. The ache in his leg gathered up again like a fist and he snorted out a dollop of snot from his nostrils and lowered himself carefully to the floor of the gritty mine.  He set his feet up on the twin timber planks that bridged across mud and wet recessed puddles in the rock.  The air smelled like sulfur.

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The pomposity of tenure


2010
02.26

It’s that time again, friends! What time? Time to post another chapter from my novel, Impossible Monsters, of course! Por que? Por que no!?

Okay, all silliness aside, this chapter again focuses on one of the central characters, Richard, as he goes to meet with one of his professors, Bernard Nesbitt, to talk about his future (or lack thereof) in academia.  I quite like Bernard, and almost wish he showed up in the book more than once, but I think this chapter does a fine job in showcasing his rather strong personality, and I think if he were to show up again, it might be too much.

And, if you like what you read, check out my book of short stories available for purchase on Lulu right here.

Enjoy.

RICHARD

Wednesday, about eleven-thirty in the morning, gray sky peppered with grayer clouds, drips of rain that came in hurried storms always at points when I had just dried off, the bus running five minutes late, and I’m wearing a white oxford shirt with a blue veeneck sweater over it and my black wool coat—even though it’s not that cold out—and some skinny jeans and these new loafer-type shoes I bought from a clothing store called Hartevelt’s, some Dutch superchain that caters to the casually chic—they cost me about £40, not too bad—and I’m sitting in Bernard Nesbitt’s office, watching his bulbous frame fumble a small electric water boiler on top of a small mosaic table decorated with long-leafed ivies that twirl down to the floor.  The room is lined with bookshelves, like actually lined, and where there is no longer room on the actual shelves he’s managed to place more books atop the old ones, lying them flat and stacking them tall, also placing the largest of his tomes on the very top of the oak-looking bookcases looking like they could teeter and fall off and kill a man at any moment, and I’m seated right below such a book and can just make out the scraped lettering on the scraped binding that reads Mind-Mapping for Creativity.  I realize at this moment, even though I’ve only been in this country for less than three months, that everything here is done over tea or coffee, usually tea, and it’s funny but sad, kinda.  The moment I walked in the office, even though it’s November and still not that cold, Bernard complained about the freeze as he called it, and like clockwork asked me if I’d like some tea because he was going to put some on.  I replied yes then wondered if Englishmen only drink tea when someone else is around, it doesn’t seem like a solitary drink because you’re always being told “I was just about to put some tea on” when you walk into a room but you never actually see cups of half-finished tea in their hands…weird.  He’s humming a tune now and the organized list of bullet points I had memorized and was going to race through with him is leaving me quickly all because of this…stupid tea.  He turns, finally, placing a small cup of steaming gray water in front of me at the edge of his overworked and paper-soaked desk, retreating back to his comfy chair across from me, the weight of his swollen body causing the thing to groan.  He takes a sip without even testing its hotness.  The porcelain cup is decorated with red lines that make a nonsense pattern and it’s hot in my hand as I try to sip.  The large window behind Bernard’s desk has no blinds and overlooks a courtyard between two of the buildings, I think the library and Fenn Hall, where I don’t have any classes.  He sips again.  He’s wearing a blazer the color of peanut butter, some gray slacks and a white oxford like me.  He’s notably bald.

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A font to make you blush


2010
02.25

Yes, I like fonts. I can appreciate the artistry of them, of their (sometimes) subtle variations and how these differences can, in all honesty, make us feel things on subconscious levels. Typography in general is a fascinating art form/science, so much so that someone went out and documented the birth of the Helvetica font in true documentary fashion (which is, truth be told, one of the best documentaries I’ve ever seen). A trailer:

Anyway, artist Alex Merto has created a font called Effing Typeface that…well…is an ode to all things sex. My favorite from the series has to be the letter P:

Definitely worth a looksy.  Check out the whole string of sex-infused letters here.

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Thesis advisers have feelings, too


2010
02.09

Decided it was time to post another bit of my novel, Impossible Monsters, so…here we are.

This chapter is narrated by Liz Damon, thesis adviser to American graduate student Richard (one of our protagonists), an Irish lass (well, woman, technically) who’s been living in England for most of her life, and seems rather apathetic toward the niche she’s carved out for herself.  Inspiring, I know!

This is Liz’s only narrative section in the novel, although she does pop up in some other characters’ sections at various points, and, personally, I think it’s one of the strongest in the book.  I really wanted to give her a voice that spoke volumes in a short amount of time, and I think I accomplished that.  The overall idea/theme of the book, if I had to answer that rather simplified question, would have to be, “What if?” — the idea that at many points in our lives, we tend to ask ourselves this very question about who we are and where we’re at, wondering what would’ve happened if we had made one of numerous other choices at various points of our lives.  I think it’s important to ask these sorts of questions, and I think the idea that some people don’t until it’s too late isn’t so much a depressing thought as it is inspiring (at least for those of us who do stop to check on our trajectories). Liz represents the type of person who maybe sees herself doing something else, being somewhere else, but can’t quite allow herself to follow through.

Anyway, happy reading!

LIZ

I catch a glimpse of myself in the small mirror on the adjacent wall and find myself becoming shy at my own reflection, which is ludicrous in theory, shying away from oneself, but as I lock onto the few freckles I have spread neatly on both cheeks I can’t help but redden a bit.  I wasn’t even aware until first stepping foot in Wellington some nine years ago that I was even what some would call a walking stereotype, however with far fairer hair and more olive-hued skin than the Irishmen depicted in literature and children’s books, but I was, as was pointed out to me rather egregiously after a night of drinking, a stereotype nonetheless and if nothing else exclusively because of those dark specks on my face.  And it bothers me that even though it’s no longer a negative connotation to be Irish, and hasn’t been in my lifetime, I still find it absurd that as loud and brash as I can be in most social situations, exaggerated of course by the type and quantity of spirits present, that I, myself, am the greatest cause of my own timorous conduct.

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Upcoming comic book happenings


2010
01.17

2010 is going to be a good year for my comic book company Saint James (and me and my writing, by proxy).  In 2009 we managed to put out the first issue of two of our series (Ex Occultus and Indego Blue), as well as a host of free Ex Occultus mini-adventures exclusive to our website (which you can find here).  This year, though, we’re really going to shine.

It was our hope (Jesse and I) upon starting the company that we would not fade away, that we would, in fact someday become a powerhouse comic book publisher.  I don’t think that’s too lofty a dream, and I know we have the ideas and the MMPH to get there, it’s just a matter of increasing our fan-base and showing the world what we can do…given the opportunity.

That being said, we will be almost tripling our current roster of for-sale comics in the coming months, which is pretty sweet.  I’ve been writing my butt off, as have the other Saint James peeps, and we really are excited at what’s coming:

MINUTEMEN #1: Minute Men is the story of John Parker, a time traveling agent for a top secret government organization whose job it is to patrol key points in history to ensure that events play out they way they are supposed to. On a routine trip back to Lincoln’s assassination, he finds an old partner shot dead and robbed by what looks like a twenty-first-century weapon. As more agents are killed in action, Parker must find out who is responsible for murdering the agents before the mysterious, rogue assailant is able to alter the course of history forever.

YOUTH IS SWEET #1 (of 6): Eldon Finch was supposed to be enjoying his golden years. Instead, he is nearly gunned down by a mysterious group of men. Finch soon learns the incident is related to his distant past – that his involvement in a Cold War-era covert ops group, SPECTRUM, may have finally caught up with him some thirty years after faking his own death. Youth is Sweet is a six-issue limited series that follows sexagenarian Finch as he tries to reconnect with the surviving SPECTRUM members, men who don’t want to be found. Together they desperately try to discover why the government thinks they are so dangerous, as they stay one step ahead of a murderous new breed of Government Black Ops soldiers bent on silencing them once and for all.

EX OCCULTUS: SEAL OF SOLOMON (one-shot): 1874. Sofia, Bulgaria. Wakefield and Hollander are hired by a mysterious nobleman to track down the fabled Seal of Solomon, a ring of supernatural origin with the abilities to summon and control demons. What first appears to be a simple mission, however, soon becomes something far more deadly.

EX OCCULTUS: TOMB OF ACHILLES #1 (of 2): 1875. Island of Tenedos, Aegean Sea.  Kidnapped by rival occultist Henry Salt and his band of thugs, Wakefield and Hollander are forced to scour an ancient, forgotten crypt for the fabled arrow that pierced Achilles’ heel. With menacing traps around every corner and the maniacal Salt pulling the strings, can they make it out alive?

There are also a few new series we’ll be debuting pretty soon, including a Conan-like saga called Thorn and a post-apocalyptic, Mad Max-meets-Twisted Metal series called Mother Trucker.  Both are very, very cool comics.

Last but not least, what would a comic nerd be without a venue for his nerd-dom? A (tentative) list of comic cons I’ll be attending with Saint James in 2010:

  • Mega Con – Orlando, FL – March 12th-14th, 2010
  • C2E2 – Chicago, IL – April 16-18, 2010
  • Motor City Con – Novi, MI – Dates not released yet (it was in early May in 2009)
  • Heroes Con – Charlotte, NC – Dates not released (it was in June in 2009)
  • NY Comic Con – NYC, NY – October 8th-10th

That’s about it.  I’ll be updating more as I go, including release dates for said comics, so stay tuned for those announcements.  Good times ahead!  Rocknroll.

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More shameless plugging of my novel “Impossible Monsters”


2009
12.18

So, while I toil away trying to get the attention of some literary agent (as they, in turn, sift through what I imagine are stacks and stacks of manuscripts devoted to vampires, eventually getting to my tome), I figured I might as well keep posting chapters from my book here and there, lest anyone cares to read them.

Now, since my book doesn’t actually have traditional chapters, per se, but rather sections arranged by narrator, I don’t feel as bad making posts that are seemingly out of order. The point of the book is really to dissect these main characters and their interactions and relationships with fellow students over the course of a few months at the fictional Wellington Ayers University. I mean, ultimately, this is what college is about, in my opinion—for the first time in your life, typically, you are in total control of what you do and who you spend your time with, and this unfurling of adultness creates many unique situations as you progress throughout your years of study.

This section is narrated by Vikram, a graduate student at Ayers born and raised in Goa, India (a very touristy, artsy resort city on the West Coast of India). He is a Sikh, devout for most of his life, then, suddenly, is thrust in a world that excites and tempts him, a world he has only seen from a distance so far–a world of carnal sins. In this specific instance, Vikram is attending a party being thrown by his flatmates for his birthday, and, being that it’s first time drinking alcohol, I decided to write this section in stream-of-consciousness, trying to invoke what it’s like to be drunk the first time, experiencing a wave of conflicting emotions and feelings. I think, at times, this section sounds almost melodic. Hope you enjoy.

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