New review of the first Saint James comic I wrote, Ex Occultus “Badge of Langavat” now online.
Check it out here.
New review of the first Saint James comic I wrote, Ex Occultus “Badge of Langavat” now online.
Check it out here.
Another Richard section from my novel, Impossible Monsters, for your reading pleasure.
—
RICHARD
The first of two conversations leading to us breaking up:
I’m at the botanical gardens killing time, it’s around two and it’s cold but I’m sitting on a bench outside anyway and watching my breath leave me, watching it go everywhere but back in me like it’s some sentient thing. Wispy smoke plumes. I’m sitting here with a notepad and a disposable fountain pen I purchased at this paper store in High Street called Pulp or something, I think, a pack of four pens—two black, one blue, and one purple, of all colors. Sitting here thinking about lots of things for what’s already seemed like a long time, but it probably hasn’t been. Been thinking about my dissertation, my family back home, where to go drinking tonight, the party, etcetera, how I’ll look in the sweater I borrowed from Toby when I finally wear it, then my cell rings, surprising me. I stand and look at it and recognize Jen’s number which makes me smile.
“Hi, baby,” I say.
“Hi…Rich,” she says, somberly, slowly.
“God, I’m glad you called. Had a pretty cool day today.”
“Yeah.”
“Wait, you okay?”
She sighs loud, dramatically, then silence. I wander into one of the greenhouses at this point, one that was supposed to represent a tropical, rainforesty climate, the closest to me, and I’m met with such a gust of thick and damp humidity that it’s startling.
I haven’t done the Storycraft Challenge in a while, and when I saw this week’s, my brain just started going haywire.
Take a piece of paper and write “Why I Write” at the top. For at least ten minutes, write without stopping. Doesn’t matter what you write, just write whatever comes to mind, even if it seems irrelevant.
My entry is below, and if you’re so inclined, you can follow Storycraft on Twitter here.
—
WHY I WRITE
To put it simply, I write because I must. But, you know what? I feel like anyone who puts pen to paper or fingers to keys probably has the exact same response, and I would reckon that with a challenge like this, almost everyone will have very similar diatribes. So, is my answer an acceptable one? The question really is, I suppose, assuming this is the absolute truth, that we writers have to write, is not just why do we write, but why do we have to write?
I have always operated under the assumption that, when it comes to writers, there are two kinds in this world: those who write for fun (Tourists), and those who can’t possibly imagine not writing—like, to the point where they go crazy if they can’t create something, anything, on a daily basis (Writers). I would put myself in the latter category (why else would I be taking part in this challenge, right?), but I think this deconstruction gets to the heart of the question posed: Writers tend to have the same answers for this question because there is no middle ground. Fine, maybe you like to write for therapeutic reasons, which are all well and good, a little here and there as the ideas pop up in your gray matter, but that doesn’t necessarily make you a writer. And hell, even getting published doesn’t necessarily make you a writer (and vise versa, many Writers may never get published). For instance, I’ve met many an author who can just turn it on and dole out anything to make a buck, stuff that lacks substance (which I’ll define in a moment). Now, I’m not nagging or judging, but just saying that I think the true Writers out there, even if they can write easily with very few cases of the dreaded Block, well…the words come from somewhere deep, some sort of well buried so far in them that even if they’re writing sci-fi or erotica or historical fiction, elements of their own persona are buried in there (or, perhaps, floating on the surface). This is the Substance. The stuff that separates the men from the boys, so to speak. The one thing that takes writing to a whole new level and makes it that much more intense and real (even if the story is far from believable, genre-wise).
The point is that we Writers feel this way because this is what needs to happen for great things to be produced, and we know it. Writers write not out of a whim or because they feel there is a lucrative draw in it (there may never be for most of us), but because we have these little blobs of emotion and memories bursting to come from deep within us, and if we don’t get them out, somehow, they take us over (and not in a good way). These are the stories that need to be told, the poems that need to be written, the prose that needs to be spoken aloud. Because if we don’t, then we go crazy, plain and simple.
I find myself writing for this very same reason. And I don’t write for just anyone, either. I write for myself. Sure, fame and glory and stacks of cash would be fantastic, and anyone who says otherwise…well, I’m calling you out as a liar right here and now, but honestly, we in the latter category, we do this because we know no other way. Praise is nice, but we are storytellers first and foremost. We are the ones that keep the myths alive. Maybe it’s something ingrained in us so microscopically that we won’t ever truly understand, or maybe it’s nice and simple: that some of us were born to do this (not in the fate sense of the word, but rather, there are natural born leaders, killers, workers, etc.).
And yes, I’m aware that this sounds incredibly egotistical, but it’s not – that’s just how it is. We all have different strengths, and some of us, even though we do fall under the moniker of Writer, aren’t very good in the conventional sense, but here we are, creating. Making something out of nothing while borrowing indiscriminately from our personal experiences. The casual writer, the Tourist, they write what they see without diving in to their more primal fears and hopes and dreams. Writing is a thing of absolute and unabashed nakedness—whether you never let anyone see your work or you take the plunge into the Land of Publishing and Agents, you put yourself out there, bare naked, for the world to see. That is what Tourists don’t understand. It’s a drug, this writing. It’s embarrassing at first, maybe, to put yourself in your characters, to create worlds and stories that anyone close to you could probably dissect in a matter of minutes as having been born from your subconscious, but you get used to it. You get hooked on it. And you realize, you were born to do this, to create and to weave these little silly letters together to create bodies of text that move and inspire and madden before you go crazy.
And I guess that’s what I want to remember in in the future. That I do this because, as clichéd as it is, I have to. Because I was born to. Because if I don’t do this, I have no idea what I would do.
I am the storyteller.
I have a new poem entitled “Two Men Sitting Outside the Labor First” over at Year Zero.
Check it out here.
Exciting stuff.
The online lit mag Like Birds Lit has published my poem “A Bar in Wixom, Michigan on a Tuesday Night.”
Check it out here.
Another day, another excerpt from my currently-seeking-publication novel Impossible Monsters. Again, I present to you the lovable curmudgeon, Anthony.
Enjoy.
—
ANTHONY
Three in the afternoon and it’s sunny out and sitting at a Starbucks on High Street with my sunglasses on. Head feels clear for once, no pain in my body, anywhere. Finally. Scratching on a notepad, sitting in the upper level at a table that extends across the large window that looks down onto the street. Leering at those unlucky enough to fall into my line of sight. Sucking on an iced coffee and picking at a piece of cake that looked good but once I bit into it I was instantly turned off by the cranberries. Thinking about a lot of things. There’s a pub across from the place called Will-O-The-Wisp which sounds familiar but I can’t remember if I’ve been there or not. Next to the pub is a paper store called Pulp which makes me think of the song “Common People” which makes me think of the line “She told me that her Dad was loaded / I said ‘In that case I’ll have a rum and coca-cola’” which makes me smile. Today, I think, will be good. Decide my goal for the day will be to get caught up on homework. To get so far ahead I won’t fall behind again. Just can’t, I reason. Look down at the notepad and see that I’ve been doodling the whole time I’ve been daydreaming and there are little screaming stickmen all over the paper but no stickwomen. There’s a stickman tied to what looks like a cross and supposedly I’ve drawn flames around him. Talk about a way to go. This makes me smile again.
Look back outside and see a boy I met at a party during welcome week named Felix, Austrian or Australian, I can’t remember. Austrian, I think. His English was impeccable and we talked to each other a bit at the pub we were at but I don’t remember which pub it was. He wore a rugby-type shirt that night, I remember. Dark blue. Studies engineering, is nineteen like me. Long blonde hair combed back and he really could be a model. I remember calling Deirdre about him, actually. Tilt the sunglasses up and rest them on my forehead and watch him talk to a scraggly and witchy looking girl with wild bushy hair. He’s wearing tight jeans and ankle boots and a button down shirt tucked in and he looks very GQ. He’s carrying a satchel bag, leather. Find myself beaming and just studying the way he interacts with her, the way he looks past her while she groans on about whatever it is she’s groaning on about. The way he takes his left boot and itches the back of his right leg with it, then repeats it with the right itching the left. Boredom. Could recognize it anywhere. Practically leaning over the thin table with my nose almost on the glass looking down and suddenly he looks up and sees me. Cups a hand over his eyes like a visor and sees me but it takes a second for him to realize he knows me from somewhere and when he does he smiles real big and I remember I liked that his teeth were so white. He waves a bit then holds up a finger to tell me he’ll be a minute and I just sort of wave back and slink back into my seat, unsure if that was the reaction I was going for. Look around behind me and see only a few tables filled with students, the rest empty and stained with coffee spills. Adjust my clothes. Peer back down and they’re still talking. Foot starts tapping of its own accord and I start doodling again and find myself drawing a stickman with an axe chopping the head off another stickman and then a family of stickmen crying nearby with lines coming out from their heads representing their anguish. Smile. Feel a buzz in my pocket, jolting me stiff. Take my phone out and don’t recognize the number but know it’s from Chicago so I answer.
If you’re interested, two of my poems are up over at Year Zero Writers – “My Stylist at Supercuts” and “Recurring Dream.”
Find them here. Enjoy.
I want so much to be like Chuck
finding my salvation at the bottom of a bottle and
scoring leftover prescription pills from friends of friends, but
I fall short and can’t quite manage to recreate his gritty realism
and I wonder if it’s because I’ve
never had the struggles he did, the crippling
alcoholism, the bouts with depression
the whores at the ready their fingers painted brightly
the long walks and the mornings after, the
biting migraines chewing away at you slowly
the only salvation
the words creeping out of your pen
onto the motel stationary,
your thoughts
the only sanity you have left.